Showing posts with label digital. Show all posts
Showing posts with label digital. Show all posts

Thursday, 6 November 2014

The Web Accessibility National Transition Strategy


If you go to the Australian government’s website for the National Transition Strategy you will be greeted with pages of boring government-speak about:

“improved web services”
“the provision of information and services online”
“an important milestone for government”
and “whole-of-government”.

It’s very nice of the government to provide all this information but it is a lot to wade through. Luckily for you, I’ve already done it and tackled the seaweed. And, I've found the pretty shells that you’re really interested in.
 

Here we continue the three-part series on e-accessibility and how you can make your content user-friendly for all abilities, by Perth-based contributor Monica (@thebigmeeow).
 

So let's begin. Here’s what you need to know:


The final goal

All government information that is online will be accessible. How accessible will it be? It will be AA level of WCAG2.0 (for more information about WCAG2.0 check out my earlier post).
 

The levels of WCAG2.0 are like health insurance. A level is your basic cover: dental, optical, and a shared room in hospital. AAA is the 'top-of-the-wazza' chiropractic, homeopathy, no-gap physiotherapy, hip replacements AND maternity, and a private room with your own butler in hospital.
 

The AA level is the middle ground. You get a good selection extras (though not the hip replacements or maternity care) and if you pay a slightly larger excess you can have a private room in hospital – sans the butler.
 

So the final goal for the National Transition Strategy is that most people, with most disabilities, can access government information and services online.

Image of a flow chart for the National Transition Strategy. A full text description is available at http://www.finance.gov.au/publications/wcag-2-implementation/ under the heading "Work Plan"
WCAG 2.0 National Transition Strategy (image format). Source: finance.gov.au/

Government agencies and departments are expected to consider universal design and web accessibility when commissioning future websites, web applications, and other online content



At a minimum



On every government website, some information is more important than others. This information must be compliant with AA level even if the rest of the site isn’t. This includes:
  • contact details;

  • information about the organisation or department, including its role and any relevant legislation;
  • the organisation or department’s functions, structure, key personnel and services;

  • current information about citizens’ responsibilities, obligations, rights and entitlements (benefits, etc.) in relation to government assistance;

  • current public notices, warnings and advice.

If you want to know about the specifics of how to make this information compliant, then I suggest you watch our web accessibility training videos:



If you’re a third party delivering government information and/or services then your online content needs to be compliant too.


The 2012 review

In 2012 the Department of Finance reviewed the progress of the National Transition Strategy. While there had been improvement in the accessibility of some online content, the general conclusion was that most departments will not achieve AA level compliance by the end of 2014.
2012 review statistics shown as images. For full text go to http://www.finance.gov.au/agimo/web-accessibility-national-transition-strategy-2012-progress.html
Depressing statistics with a positive spin. Source: finance.gov.au/



Given the slow progress of agencies and departments adopting the new standards, the report listed eight priorities for departments to achieve before the end of 2014; even if they can’t achieve full compliance. These are:
    1. Complete any remaining audits of the number of websites and web applications, including those provided by a third party.
    2. Complete conformance assessment of all websites and web applications currently unassessed.
    3. Assign a WCAG 2.0 upgrade priority to all websites and web applications , with priority on the minimum online content requirements.
    4. Deploy accessibility conformance testing tools and, where required, external testing services to compliment agency capability.
    5. Review accessibility action plans addressing upgrade priorities, alternate access methods, maintenance and monitoring practices.
    6. Update agency web policies to provide for WCAG 2.0 conformance for all websites and web applications.
    7. Release progressive accessibility enhancements to their web environments as they are developed.
    8. Maintain a program of education and training for agency staff on accessible authoring practice.
       

      Some handy tools

      Feeling a little despaired? Want to throw the whole project out the window? Well, we’ve all been there. I suggest you get yourself a nice glass of wine or cup of coffee or pot of tea or pitcher of milk or whatever you drink when relaxing, and browse the useful information and tools I’ve found while poking around the WWW.

      AccessAbility

      WCAG2.0 information and resource page for Pennsylvania State University. Includes a breakdown of the guidelines, common tools, testing, and troubleshooting.
       

      ADOD Project

      The Accessible Digital Office Document Project, developed by The Ontario College of Art and Design University jointly with the Government of Ontario and UNESCO. Includes comprehensive instructions for creating accessible digital documents using any software including Microsoft Office, Google Docs, Open Office, Adobe and more.
       

      Chrome Shades

      A screen reader emulator for Chrome.
       

      Fangs

      A screen reader emulator for Firefox.
       

      Access iQ

      A social enterprise started by Media Access Australia. Includes training, resources, news and events.
       

      Stamford Interactive

      Variation on marketing consultants. Includes some handy WCAG2.0 resources.
       

      Vision Australia

      Not-for-profit organisation working for and with people with vision impairments. Includes training, resources, tools, and an excellent blog.
       

      Web Accessibility Checker

      An online tool that reviews your existing website and provides a basic web accessibility report.
       

      Web Accessibility Evaluation Tools List

      Accessibility service provider operated by Utah State University. Includes articles, resources, newsletter, a blog, and for Utah residents – training and consulting services.
       

      Web Accessibility Evaluation Tools List

      A list of evaluation tools for online programs and content. Hosted by W3C.



      Join me for my next Blog - Part 3 of Accessibility is Everywhere where we get up close and personal.




      About The Copy Collective

      The Copy Collective is a cloud-based, teleworking business with 80 freelancers, of diverse backgrounds, working in seven countries. The company's five employees are located in Sydney and Perth.
       

      Website: http://www.thecopycollective.com/
       

      For more details contact Maureen Shelley 0412 741186 or mshelley@thecopycollective.com
       

      For interviews contact Dominique Antarakis 0409 911 891 or dantarakis@thecopycollective.com

      Friday, 31 October 2014

      Tiny business helps Federal Government comply with its own policy

      Federal Government departments are required to make their websites comply with standards that make them accessible to people with disabilities. Here we introduce our new e-Accessibility training videos Part 1 and Part 2... and it's on us.


      "At The Copy Collective, we've noticed that many government websites don't comply, as yet, with the guidelines in regards to copy," CEO Dominique Antarakis said. 

      "We thought we'd help out by making free training available to everyone, so that the government didn't have any excuses not to comply with its own policy. We also think that accessible websites are great for all businesses, not just government."

      The Copy Collective is a 5-person business based in Sydney. As part of the company's Disability Discrimination Act Action Plan, they wanted a practical way to show that small changes could help everyone. The team thought they would start by helping the Federal Government comply with its own Web Accessibility National Transition Strategy.

      Today, The Copy Collective announced the release of two training videos designed to assist copywriters and government departments to comply with the Web Content Accessibility Guidelines (WCAG 2.0). Federal government agencies are encouraged to meet the guidelines for their website content by December 2014.

      "We're not doing this because we want jobs rewriting Federal Government websites; although that would be nice," Ms Antarakis said. "We're doing it because we want to show that simple changes to copy can make a big difference to access."

      "The training we offer is in-depth and detailed. The presenter, Monica Seeber, is one of our freelancers from Perth. She is our resident accessibility expert. Having experience with disability in her own family, Monica is very committed to access and so are we. 

      "We've provided 2-hours of training, free of charge. We'd like the Government to make the videos compulsory viewing for all their comms and web teams.

      "Making website copy accessible for all just makes good business sense," Ms Antarakis said.
      In two hours, the online e-accessibility training takes users through the principles of WCAG 2.0, how these principles will affect websites, and how to create content that meets WCAG 2.0 standards. The YouTube videos are fully captioned and there are downloadable PowerPoint and Text versions of the presentation slides available on Scribd.
      Comply by December 2014
      The Copy Collective supports governments, NFPs and businesses to comply with the WCAG 2.0. While the compliance imperative is important and it is great to ensure content is available and accessible for all, the steps to make sites accessible have the side benefit of also helping organisations with their search engine optimisation (SEO).
      Providing this complimentary training is part of The Copy Collective's commitment to an inclusive society under its Disability Discrimination Act Action Plan.
      The Copy Collective encourages people to set aside the time to watch the training videos and understand how the WCAG 2.0 applies to organisations. Trainees will also get the resources and tools they need to make changes to their web copy .
      The Copy Collective can be contacted for further support to make website copy accessible. Please note: you don't need to book any work with The Copy Collective to enjoy the complimentary training!
      About the Web Content Accessibility Guidelines (WCAG 2.0)
      The WCAG 2.0 guidelines were released in 2008 to implement user-friendly web content for people of all abilities.
      The guidelines cover the full range of Web content that a user is likely to access — from images and graphs, to videos and podcasts, to the structure and design of each page. Each guideline has three levels of accessibility: A, AA and AAA. Level AAA is the highest level of accessibility.
      Compliance with WCAG 2.0 is part of the digital inclusion framework referenced in the Web Accessibility National Transition Strategy.
      About The Copy Collective
      The Copy Collective is a cloud-based, teleworking business with 80 freelancers, of diverse backgrounds, working in seven countries. The company's five employees are located in Sydney and Perth. 

      For more details contact Maureen Shelley 0412 741 186 or mshelley@thecopycollective.com
      For interviews contact Dominique Antarakis 0409 911 891 or dantarakis@thecopycollective.com

      Thursday, 30 October 2014

      Accessibility Is Everywhere


      Here at The Copy Collective, we’re big fans of accessibility – in the ‘real’ world and the virtual. In this three-part series, Perth-based contributor Monica (@thebigmeeow) will introduce you to the basics of e-accessibility and how you can make your content user-friendly for all abilities. Here we introduce our new e-Accessibility training videos Part 1 and Part 2... and it's on us.




      First there was the word.

      Then there was the Internet.

      And when the word and the Internet got together, they made the World Wide Web.


      The Internet is the physical network made up of computers and routers and phone lines and server farms and deep-sea cables. The World Wide Web is all the information that we access using the Internet. And the “word”? Well, that’s “01110111 01101111 01110010 01100100”.


      Logo for the W3C 20th Anniversary Symposium
      W3C celebrates 20 years. Source: www.w3.org/
      The World Wide Web Consortium (W3C) is responsible for developing Web standards. Their mission “is to lead the World Wide Web to its full potential by developing protocols and guidelines that ensure the long-term growth of the Web” (W3C Mission).

      If the Web is an “information super-highway” then W3C is like the Department for Infrastructure: they write the guidelines and technical specifications for designing and building new roads and regional developments.

      The Web standards cover all aspects of the Web:


      1. Web design and applications
      2. Web architecture
      3. Semantic Web
      4. XML technology
      5. Web of services
      6. Web of devices
      7. Browsers and authoring tools.
      For most of us, we don’t know what any of that means – and we don’t really need to (if you would like to know more, the W3C Standards page covers each topic in greater detail). Web developers and graphic designers mediate most of our interaction with the Web; and all we have to worry about is the speed of our Internet connection. 

      "The power of the Web is in its universality.
      Access by everyone regardless of disability is an essential aspect".
      Tim Berners-Lee, W3C Director and inventor of the World Wide Web
      Unfortunately, not all Web content is created equal – and not all content is available to everybody. For some people (especially people with a disability) they’re not just worrying about the speed of their Internet connection, they’re also thinking:


      “Will this webpage trigger a seizure?”
      “Can my screen-reader make sense of the text?”
      “Does this video have captions or a transcript?”
      "Is this information written in a language I can read?" 
      Within the Standards for Web design and applications, the W3C created the Web Content Accessibility Guidelines.

      The Web Content Accessibility Guidelines 1.0 (WCAG10) were released in 1999, and were then revised and succeeded by the Web Content Accessibility Guidelines 2.0 (WCAG 2.0) in 2008.




      There’s a lot of information in those guidelines. If you print them out, there’s about 34 pages of information. You can access the full WCAG 2.0 for free on the W3C webpage.

      WCAG 2.0 covers the full range of Web content that a user is likely to access on Web pages, from images and graphs, to videos and podcasts, to the structure and design of the pages themselves. 



      WCAG 2.0 structure



      Flow chart. First level says "4 principles" then an arrow points to the second level, which say "12 guidelines". A second arrow points from the second to the third level, which says "61 success criteria".

      WCAG 2.0 is structured around four broad principles (also known as pillars):

      1. Perceivable: Web pages and content must be presented to users in ways they can perceive.
      2. Operable: Web pages and navigation must be operable.
      3. Understandable: Web content and the operation of Web pages much be understandable.
      4. Robust: Web content and pages much be interpreted reliably by a range of users, hardware, and software – including assistive technologies.
      These four principles are then broken down into 12 guidelines: 

      1. Perceivable
        1. Provide text alternatives for any non-text content so that it can be changed into other forms people need, such as large print, braille, speech, symbols or simpler language.
        2. Provide alternatives for time-based media.
        3. Create content that can be presented in different ways (for example simpler layout) without losing information or structure.
        4. Make it easier for users to see and hear content including separating foreground from background.
      2. Operable
        1. Make all functionality available from a keyboard.
        2. Provide users enough time to read and use content.
        3. Do not design content in a way that is known to cause seizures.
        4. Provide ways to help users navigate, find content, and determine where they are.
      3. Understandable
        1. Make text content readable and understandable.
        2. Make Web pages appear and operate in predictable ways.
        3. Help users avoid and correct mistakes.
      4. Robust
        1. Maximise compatibility with current and future user agents, including assistive technologies.

      Those 12 guidelines are broken down further into 61 “success criteria”. That’s a lot of criteria!

      Now before you all panic…



      Image with a Doctor Who TARDIS top, centre and with the text below: "Keep calm and call the Doctor"


      Luckily for you, we’ve already done the hard work of figuring out which guidelines are relevant to copywriters. We’ve even put together a couple of videos — so we can talk you though them when you’re ready:
      eAccessibility webinar Part1
      eAccessibility webinar Part2

      You can even download the Powerpoint presentation from the videos.


      Photo of a male lion resting on a raised platform, with the text: "L'OREAL because you're worth it".
      You can use my videos and powerpoint for free – because you’re worth it.
      source: www.funnyjunk.com/
        
      Join me for my next Blog - Part 2 of Accessibility is Everywhere - where I introduce the Web Accessibility National Transition Strategy and share useful things for making your web content accessible.



      About The Copy Collective

      The Copy Collective is a cloud-based, teleworking business with 80 freelancers, of diverse backgrounds, working in seven countries. The company's five employees are located in Sydney and Perth.

      For more details contact Maureen Shelley 0412 741186 or mshelley@thecopycollective.com

      For interviews contact Dominique Antarakis 0409 911 891 or dantarakis@thecopycollective.com










       

        Friday, 8 August 2014

        Selecting your publishing platform for your next book (Part 8)

        You’re almost there! You’ve written the work, laid it out and now you need to get it out. But how? Maureen Shelley shares her research on publishing platforms in part 8 of Blog series “10 Simple Steps to becoming a successful published author.”


        Print, digital or POD?

        Once, it used to be easy. You could print or you could go digital. Now, you can print, go digital, go a bit each way with short print runs and print on demand (POD). Do it yourself, contract it all out, contract out a bit or contract a lot. It is up to you. Never have so many people been publishing books and never have there been more choices available to the would-be author to get their manuscript before a reading public.

        Printing in Australia

        We use and recommend Griffin Press in South Australia. They are a traditional printer with some extras for small publishers (like us), self-publishers and big publishers. People always want to know what it will cost to print their book and the answer is "it depends". It depends on book length, size, paper chosen, cover stock chosen - even the size of your margins can make a difference (larger margins equals more pages). 
        A screen capture of the "Request a Quote" page at griffinpress.com.au
        Self-print options available at Griffin Press. Source: www.griffinpress.com.au

        So let’s say you have 
        1. 316 pages 
        2. in a Trade B format paperback 
        3. with gloss cover (matte is more fashionable but it scratches more easily)
        4. with book cream pages 
        For 1000 books that will cost you around $5 a book.

        Now, you can get a quote out of China for about $2 a book for the same format manuscript, however it will cost you $3 a book to ship it to Australia. That will still cost you around $5 a book.

        It will cost you more if you want proofs rather than just checking a PDF file and it will cost you more if you ship stock to more than one "drop" (address).

        You then have to store your books where they won’t absorb damp, smells (cigarettes, open fires, factories etc), or be attacked by insects or rodents (so maybe not the attic, basement or garage - unless they are clean, dry, airy vermin-proof areas). 

        If you must store your books in the garage, put your cartons on a plastic pallet - they at least won’t absorb damp from the ground. You can buy plastic pallets from eBay or Gumtree.

        Our recommendation is to print in Australia if you have a ready-made audience. If you are well known - even if it’s in your own niche - you have an audience already. If you then market to that audience, you should get sales and hopefully can move 1000 books inside of a year.

        The books that sell the most in Australia are children’s books (however, they tend to have a lower cover price so the authors may earn less than writers for the general market with a higher price) and tie-ins to movies and TV programs (good luck with that). 

        Female authors tend to do better with cookbooks and diet books, unless you are Mem Fox or writing romance novels. Andy Griffiths probably sells more books in Australia than any other Australian author but they’re cheaper so Andy may not earn quite as much as Matthew Reilly (I don't actually know, this is a guesstimate based on reported sales).

        If you write a book that can be used in schools, you will have a much better chance at success. Around half of Australia's reported $2 billion+ publishing industry is for publications in the education sector.

        You can view monthly top seller lists at Nielsen BookScan to get an idea of what is selling locally, who is writing them, and the retail price at local book shops.

        A screen capture of the "Hot 10" page at nielsenbookscan.com.au
        Top 10 selling books in Australia, retrieved 1 August 2014. Source: www.nielsenbookscan.com.au/

        So, if Andy, Mem and Matthew are selling (say) 40,000 books each, you can expect to sell 400. If you have an audience or have created an audience, you may sell a print run of 1000. A best seller in Australia is 3000 sales or better.
        Let's say your book will cost between $5000 and $10,000 to produce 1000 copies:
        • $5 to print the book 
        • plus up to another $5 per book in editing, proofing, design, typesetting, and other expenses
        Of those 1000 copies you may sell 400 for $19.95. So your $5,000 to $10,000 investment will net you $7,980. 

        However, you could be the author that sells 990 of your 1,000 print run (10 copies for deposit at the National Library of Australia, some sold through marketing, and the copies your mum buys for Christmas presents) and you’ve made between $9750 and $14,750 profit. Start to do that twice a year and you have the beginnings of a new career.

        In addition to sales, your book may also be purchased by public libraries and the Public Lending Rights (PLR) scheme may apply. If you strike gold and your education-related book is picked up and used as part of the National Curriculum, then the Education Lending Rights (ELR) may also kick in. These schemes are administered by the Ministry for the Arts, a part of the Australian Attorney General’s Department. Guidelines can be found at the Ministry for the Arts webpage.

        Your decision to print should be carefully weighed. On the one hand, you are taking a risk. However, you will control your sales and distribution and, if you are a self-published author all of the money from sales (less your costs) is yours to keep. If you do want to print in Australia, then Griffin Digital can do short runs if you don't want to commit to more than 500 books.

        Digital

        Using a digital format to produce your books is a no-brainer. There really isn’t a good reason to not produce a digital version of your book. The difficult part is to decide what formats to publish in and whether you will do it yourself or contract out part or all of the effort. I discussed preparing your digital file in Part 7 of this series.

        PDF

        A PDF is the easiest, simplest and cheapest form of digital publishing available to you. You can write the book yourself, use an online program to undertake editing or proofing (some are even free to use) and you can then convert your manuscript by printing to PDF in your word processing program. 
        You then have an ebook that you can give away, send to people who subscribe to your blog or sign up on your website (assuming you are marketing some other product), or upload to a platform such as Scribd. If you give away your book, you can upload to Scribd immediately. If you want to sell it, you will need to go through one of their digital publishing partners: 

        SmashWordsINscribe DigitalBookBabyDraft2Digial

        If you have ecommerce on your website, you can take payment for your book and provide the PDF as a down-loadable file once payment is made.
        You can also sell your PDF ebook through platforms such as those used by Scribd or through Vook or IngramSpark.

        Conversion and distribution platforms
        If you don't want to convert your Word doc to an ebook version yourself, there are platforms that will do it for you. This is a small selection but they offer some of the largest distribution networks with up to 39,000 outlets around the world.

        Popular conversion/distribution platforms
        Platform
        Your share
        Fees
        60% of list = 85% net royalties
        $0 to $249+, cover design $149 - $279
        100% of net royalties
        Free basic package, premium packages from $49 to $349. Booktango is part of AuthorServices, which is a division of Penguin Books.
        60% of list = 85% net royalties
        No fees but retain 30% for US tax if not from US unless a signed W8-BEN form is lodged (Australia & NZ have tax agreement with US), free ISBN
        ??
        “flat fees per title distributed & a small revenue share per title sold”
        40% of list/agency price
        $25-$49 per eBook plus $12 per title per year - dearest but also can be paired with POD (print on demand); it also distributes to the most outlets
        60% of list = 85% net royalties
        No fees, free ISBN
        60% of list = 85% net royalties
        No fees

        Free conversion tools
        There are tools that allow you to convert your word processing file to the popular formats for free. They tend to be a bit fiddly but if you have the time and are prepared to be patient, then you can convert your files yourself and upload to the popular stores yourself:
        • Amazon, for Kindle - still the category killer
        • iTunes - Apple's iBooks are getting more popular
        • Google Play - PDF, ePub or .ASCM (Adobe's format with DRM)
        You will want - as a minimum - a version for Kindle AZW, iTunes (ePub) and Google Play. You may also want versions for Sony LRF, eBook FB2, Microsoft LIT, and TCR (Symbian platforms). 

        The Calibre open source program can be used for DRM-free (digital rights management-free) books and you can use the free converter at Online Convert to produce most popular formats. Both these sites request donations. Online Convert has a paid premium service as well. Zamzar also converts one ebook format to most others and is a free service.

         

        Direct digital services

        Amazon really created the ebook market. The Kindle (love it or hate it) is still the best-selling e-reader and some authors make a living through just listing with Amazon. If you choose to publish exclusively with Amazon you will earn higher royalties (70% net instead of 60% or less). Publishing in the Kindle format is complicated (I've done it) but Amazon have excellent resources for self publishers. 
        If you just want to publish in iTunes and your books need colour images, then I would recommend using iBook Author. It is free but you will need a Macintosh computer. Apple provides excellent resources for the self-publishing author but if you publish directly with Apple you can't sell your book anywhere else. You can give it away, though. Authoring with the iBook Author is a “drag and drop” experience, particularly if you have multimedia that you want to include.
        Apple - Book Creator (for iPad) ($6.49)
        If you don't have a Macintosh computer but still want to publish directly to iTunes, you can use an app on an iPad called Book Creator. It will produce a reasonable book that can be published to the iTunes store and will be available for sale or distribution. It is better for short books such as picture books for children or self-help books (not so much for 52,000 word novels) and you can incorporate both video and audio into your book. More than 5 million books have been published with Book Creator, so it is well worth trying.
        To publish directly with Google Play you need to create a Google Partner Account. Google accepts PDF and ePub formats and provides a step-by-step process for authors and self-publishers. After establishing your account and sorting how you'd like to be paid and where you’d like to sell your book, you can list your book in Google's book catalogue, set your price and distribution and then upload the book.

         

        Print On Demand (POD)

        Print on demand services enable your books to be listed as “in stock” or “available now” in online stores. There are a lot of POD services out there. I'd recommend you look at three: Lulu, Blurb and IngramSpark.
        Lulu has been in operation since 2002, which is a long time in the POD space. Lulu lets you set up your account for free. It has a slightly different take on fees. Lulu takes a “base price” deduction from your RRP (the cost of producing the book), as well as a “share”. However, it claims that authors receive more net than if they print with Amazon, Barnes & Noble or Ingram. These three publishers all charge less to produce the book but they have higher distribution fees. While the POD prices for Lulu are reasonable (about $10 a book), in the past shipping was a killer and often left a book costing as much or more than it would cost to print in Australia. However, Lulu now have print facilities in Australia and this is less of a problem.
        While the Blurb POD book costs more (about $11 to $12 for a 200-page book printing 1000) it allows for much more flexibility than the usual self-publishing service. You create one file and Blurb converts it to PDF, fixed format ebook and POD book. You can sell through Blurb, your own site or Amazon. This is a great platform for photo books, coffee table books, art books or similar. If you want a straight black print on book cream paper, there are cheaper options but perhaps not those that are as easy to use or as flexible.
        While IngramSpark is probably one of the most expensive options it also has the greatest reach. You can produce an ebook and a POD book through Ingram. If you produce your eBook and POD book at the same time, the set up fee is $49, however, if you order 50 books for your first print run the $49 fee is refunded. If you print 50 books of the one title and ship to a single address, the $49 is recredited to your credit card. If you choose IngramSpark, your book (eBook and POD) will be available in 39,000 outlets. That is as good as it gets. What you need to decide is whether you are prepared to put all the “publishing” in the hands of one partner and collect a lower net revenue or whether you want to do more of the leg work and receive a bigger share of your list price.



        Personally, I think that it is better to put more of your time into marketing your book than distributing it so my recommendation is to go with IngramSpark. 

        If you work with a company such as ours, we would put it through the publishers’ equivalent Lightning Source (also owned by Ingram, which is a big US publisher).



        Red Raven Books is the publishing and imprint arm of The Copy Collective. Find out how we can help you today.